-Nicholas B.
Tuesday, October 26, 2010
Lupe-nstein
As I sat in my room listening to my iPod on shuffle, a song by Lupe Fiasco named "Cool" came on, and apparently this song was a prelude to his next album "The Cool," which has an unexpected meaning within it. It follows the story of a fictional character named "Michael Young" that surrendered his soul and life to "The Game," a character used to represent the search for fame in the "rap game" or trade and its dangers. Well what does this have to do with class? Following our most recent theme of life, death and rebirth in "Frankenstein" and in other pieces of literature in class, I decided to listen to this album and read its story with that idea in mind. Our main character, Michael Young is much like Frankenstein in the sense that he basically gives The Game his soul and surrenders himself to it like Frankenstein and his creation. When one surrenders his soul, temporary pleasure may come, but long term affects may alter him greatly. In return, Young is incorporated in the rap business. Later on in the story, however, The Game kills Young for falling in love with his girlfriend, "The Streets." Young is then reborn with multiple imperfections like a bare boned right hand and a liquor-ish odor. This also goes with the class theme that when man tries to alter the cycle of life and death (like Young when he's reborn) there will be consequences, much like the killing of the albatross in today's ballad. This punishment stays with young and does not heal, as if it was a deadly sin with numerous consequences to be revived as he was. Although many may not appreciate hip hop as much as others, it can be surprising how deep the lyrical content can be and how discreet the messages that the writers are conveying are.
Subscribe to:
Post Comments (Atom)


As I read this, I thought about how as a child we are young and naive but as life progresses and we mature our actions have greater consequences. As we develop we become more corrupt and lose our innocence. Referencing life, death, and rebirth shows that humans are born and we celebrate life, but our actions cause us to compromise our innocence and we slowly fade away, but as we continue on our path we are given chances to correct our mistakes. Although humans have the authority to change their lives, we are permanently damaged by our past and can not be made whole again. We are scared by our past much like “Young was [when he was] reborn with multiple imperfections like a bare boned right hand and a liquor-ish odor.” We can be born again and that is something to celebrate, but we can not regain our innocence.
ReplyDeleteVery Nice! I never thought to connect themes from the story line to music we hear everyday. Now that you mention it that song really does connect well and even helps to explain the meaning of the text better.
ReplyDelete--Sapir L.
Life, death, and rebirth are such in depth controversy topics that are brought about in make points of view.The connection you have produced between these two work of arts is spectacular. I have never thought to view the parallel themes of books to that of an artist's music.And now that I see that the views of Young and Shelley are expressed differently but are still key components of their works, I understand a deeper meaning of what the true controversy is.
ReplyDeleteVaness C.
Indeed, Lupe's description of his persona, Michael Young History, quickly invoked thoughts of life, death, and rebirth (as Vaness stated) into my head. His diction reminded me of the way the monster in Frankenstein was described: a terror that struck fear into his surrounding peers. In thinking of Frankenstein I was reminded of the archetypal influences that Frankenstein has on this song.
ReplyDelete-Nick B.